You Killed Whitney Houston and I Know How

By now, the entire media apparatus set up to honor/degrade the death of a show business personality of unquestionable talent but somewhat doubtful life choices is set firmly in place. Two years ago, it was just getting started when Michael Jackson took that final dose and found the peace he’d been searching for since he was beaten at age eight for not singing ABC to his father’s taste.

Looking back on that amazing circus, it now seems sheer amateur-ville, all just getting off the ground a la the Wright Bros. in their skimpy biplane. And even though it lasted for months and tried to involve every single person who had ever met the singer/showman on this earth, it looks by comparison like mere sketch-work compared to the media take-over of the Houston story. This is full blown media frenzy and there’s a good reason why it’s happening.

In case you lived in a cave, here’s a few facts: a good singer emerged from a family of good singers. Her youth, charm, good looks, and amazing purity of tone netted her one of the best music producers in the business. Because of him she made astoundingly successful hit records which you had to be hearing-impaired to have missed in that decade, and one blockbuster movie still worth seeing which helped a bit to break down black-white relationship taboos long in place. .

After that, she decided to go her own way. She met a rap artist the family disapproved of and like any other girl finding her freedom from gospel, intense church going and Big Mama, she rebelled. This is not a new story by any means. What happened after that is not new either. But despite Oprah Winfrey moaning “If there was only something we could have all done?” the truth is, Whitney was a grown woman by then, an empowered woman, and she did what she wanted.

Continue Reading

Alexander Scriabin: Toward the Light

Alexander Scriabin 2Even in a field as noted for its eccentrics as Classical Music is --Beethoven, Alkan, Satie, et al -- Alexander Scriabin stands out by virtue of his personal strangeness, his unusual life-style, his advanced compositions, and especially for the world ranging utopian vision he formulated for his last works. 

Born into the upper class of late Tsarist Russia, Scriabin was an exact contemporary of Sergei Rachmaninoff, but two composers could not be more different. While Rachmaninoff’s compositional style is closely attached to the 19th century just past, and he adapts it to his own time, Scriabin rapidly progressed from the influence of Chopin almost directly into the 20th Century, with his own version of Twelve Tone Music-- and beyond.

Faubion Bowers wrote the standard biography, still available, but Oliver Decker’s marvelous, informative, and visually brilliant hour long film, Toward the Light, serves informatively and entertainingly as a perfect introduction.

Born in 1872, Scriabin lived to know of World War One, but he died in 1915, before the Russian Revolution: died of an infected pimple on his upper lip which led to blood poisoning. Both facts seem strangely relevant to the man and musician.

Continue Reading

Nina Simone

ninasimone2011The nearly breathless phone was from my High School friend Jerry Blatt, Bette Midler’s manager. Nina Simone was in town and would be playing one night only at the Village Vanguard. It was by invitation only and I should tell Art D’Lugoff or whoever was at the door that I was Bette’s guest. Simone, that great singer/pianist/composer, had been battling the I.R.S. and had fled to the Caribbean in 1973 and then taken up residence in France. This trip to New York as well as this one night only concert was totally hush-hush.

The Vanguard was packed and excitement filled the air. Looking only a bit older then when I’d last seen her at the Newport Jazz Festival, almost twenty years before, Simone entered the room, dressed head to toe in brilliantly patterned colors, clad like an African priestess.
“Hello friends,” she said. She was alone, without her famous band. She sat at the piano which had defined her life from when she’d been a child prodigy in North Carolina through her years as a classical pianist at the Julliard School to this day.

In the midst of one of her jazz/soul concerts Simone had been known to toss off a perfect minute-long Bach Gigue or Debussy Etude. But then when Nina Simone was on stage, it wasn’t just a concert, it was a happening, a visitation, a revelation, a political lesson, and a communion. This night would be no different.

She began her concert with standards: "Someone to Watch over Me," "My Baby Just Cares for Me," and “My Funny Valentine,” mentioning other Jazz musicians. Then she stopped, as though receiving a communication from Beyond, and began caressing the piano keys in what I knew was the intro to her cover of “Black Is the Color of My True Love’s Hair.”

Continue Reading

Visiting My Papers at Yale

Two summers ago I was in New England again, attending a literary conference at The University of Rhode Island, and then doing readings up and down the East Coast for my newest book. Since my rented car would take me right past New Haven, I decided to stop into the Beinecke Rare Book and Manuscript Library at Yale University to look at my papers.

At my age, one begins thinking about collecting what one has carelessly left lying around for decades: at summer cottages, in notebooks, presented to old boyfriends, in hard drives all over the world. I know there are stories, reviews, essays, and poems, out there somewhere. I thought maybe someday someone would say, Hey Felice, what about a Collected Poetry? I’d only published two books of poems, The Deformity Lover, and Window Elegies, a chapbook. Another hundred had appeared in print since then, the last being “His Diagnosis” about my friend, Robert Ferro. After that, poetry was no longer possible for me. But there were earlier poems, many I’d left unfinished, hanging. They were inside spiral metal notebooks with chartreuse covers, and those notebooks were at Yale.

Just to clarify, I didn’t go to Yale; my papers went there. I was barely sixteen when I graduated high school. My folks made it clear I wasn’t going away anywhere and in fact that I was staying home and working for my father. Unknown to them, my college counselor had applied me to The City University of New York, and I’d gotten past the rigorous requirements and into Queens College, a free school; I’d even gotten a small scholarship. So that’s where I went. I moved to Alphabet City among immigrants and cockroaches, junkies and thieves, and I went to college taking two trains and a bus each way.

 However thanks to scholars George Stambolian, Jonathan Katz and John Boswell, The Beinecke Rare Book and Manuscript Library, which collects American Writing Groups like the Transcendentalists and Gertrude Stein’s Paris circle, collected the works of the Violet Quill Club, the writing group being honored tonight.

Continue Reading